Gabriel S Moses, 1982, Jerusalem, is a Berlin based media artist with a Masters degree (UdK Berlin) and a millennial complex. In other words: he knows how to lie about why he lied about what ur kids are saying about u behind ur backs on the smartphone u bought them. In 2014, his project Enhancement won 1st prize at the conference ‘The Anthropocene Project. A report’ at HKW, Berlin. He has also showcased in Transmediale (Berlin), Lenbachhaus (Munich) and FILE (Sao Paulo).
Projects by Researcher @ Hangar
It is assumed that grand narratives are ineffective today in an age of ‘post-ideology’. But even in a world said to be run by algorithms, story is key in locking people into the grid. So much it has been said about control through gamification but much too little is discussed of the role of story. And if indeed our social media are a radical mix of interactive game and non/fiction, could they then not be considered a metafiction? And what does this imply on the rules of engagement? Could we hop in and out? Could we alter our timelines almost as if we were time traveling?