Jorge Luís Marzo

Foto Jorge Luis Marzo

He is an Art Historian, audiovisual creator, teacher at Universitary Design Centre BAU in Barcelona and member of the research group GREDITS. He has developed numerous international and national research projects in different formats like exhibition, audiovisual or publishing, often in relation with image policies: No es Verdad, no es Mentira. El Arte del Fake (2016); Políticas de la Interfície (2016); Arte en España (1939-2015). Ideas, Prácticas, Políticas (2015, with Patricia Mayayo); No es lo Más Natural. Escritos y Trabajos de Octavi Comeron (2014, with Joana Masó); No Tocar, por Favor (2013); MACBA: la Derecha, la Izquierda y los Ricos (2013, SUB); Videocracia. Ficción y política (2013, amb Fito Rodríguez); El d_efecto barroco. Políticas de la imagen hispana (2010, with Tere Badia); Low-Cost (2009, with Mery Cuesta); Spots Electorales (2008, with Fito Rodríguez); Arte Moderno y Franquismo (2008); Fotografía y Activismo Social (2006); Tour-ismos (2004, with Montse Romaní i Nuria Enguita); Me, Mycell and I (2003); Indivisuals (2002); En el Lado de la TV (2002); El Corazón de las Tinieblas (2002, with Marc Roig).


Research field

Resources by Researcher

Projects by Researcher @ Hangar

Lab oriented to generate an experimental space for the use and development of new telepresence technologies. It works by opening different stations/spaces to intervene and communicate remotely through testing tools which allow an interactive communication.
The interface Manifiesto is a collective research and writing project aiming to understand the interfaces such as central cultural phenomena by dialogue and interdisciplinary praxis.The outcome has been a manifest which highlights the interface's ideological and political aspects.