Proyectos

Project which recovers one of the art strategies conceived by Lucy Lippard at the end of the 1960s, called “Suitcase shows”  which consisted in the act of carrying artworks in her suitcase from one country to another. This project, though, adds to Lippard’ strategy the concept of smuggling and connects it with the idea of threatening borders and their control devices.

Abstract / axes of work

 1- [schizophyllumcheese] How to make cheese with Schizophyllum Commune. Apparently Schizo produces the same types of lactose  coagulating enzymes that lactobacillus and cheese making microbes produce. When cheese is made with Schizo fermentation rather than lactobacillus fermentation it contains Beta-glucans and other anticarcinogenic substances

It is assumed that grand narratives are ineffective today in an age of ‘post-ideology’. But even in a world said to be run by algorithms, story is key in locking people into the grid. So much it has been said about control through gamification but much too little is discussed of the role of story. And if indeed our social media are a radical mix of interactive game and non/fiction, could they then not be considered a metafiction? And what does this imply on the rules of engagement? Could we hop in and out? Could we alter our timelines almost as if we were time traveling?

A collaborative, interdisciplinary research project, Open Source Estrogen combines biohacking and speculative design to demonstrate the entrenched ways in which estrogen is a biomolecule with institutional biopower. It is a form of biotechnical civil disobedience, seeking to subvert dominant biopolitical agents of hormonal management, knowledge production, and anthropogenic toxicity. The project begins with a speculative question: what if it was possible to make estrogen in the kitchen?

Open Source Gendercodes (OSG) is a project focused on developing an open source platform for the production of growth hormones. The development of these bioproduction technologies from the late 1800’s up to the present is entangled with power structures and ideological frameworks that have co-created bodies, subjectivities, and genders. Efforts to eliminate queer, gender non-conforming, non-reproductive behaviors - as well as increase heterosexual prowess and enable lifelong performance of sanctioned masculinities and femininities drove the development of these technologies.

Women may have numerous problems that can be detected easily through the vaginal discharge.

The project could be summarised as the production of small acrylic plates or chips with four small canals to be built by a CNC, which at their ends contain small wells with reagent for the evaluation and classification of four possible problems that the woman may have by assessing the vaginal discharge. The problems are the following: candidiasis, trichomoniasis, bacterial vaginosis and cervicitis.

This research project develops a methodology for an aesthetic exploration (or perceptual) of the sonorous spaces generated by algorithmic composing systems. It seeks that the rules generated by the system might be interpreted. This can be used during the live writing, alteration and execution of the algorythms.

Conspiracy theories are the new legends. In recent years this phenomenon has replaced the traditional concept of popular storytelling, reinforced by scientific pretensions in the search for truth (which is out there). Chemtrails is a curatorial project that investigates the narrative potential of contemporary art, especially in relation with popular culture.

Far from being a purely immaterial entity, the Internet is an extremely complex physical structure composed by a massive number of actors that have a direct and deep impact in every aspect of our daily lives. Despite its crucial role in many aspects of our society, the material and computational architectures that allow the Internet to exist are widely ignored by most of its users.

The project aims to work with some of the artist in residence at Hangar in the construction of a discursive architecture in an attempt to establish an affective institution for relational translation.